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Kirriemuir 2 rear. Photograph by Kyle Munro. The Kirriemuir Sculptured Stones are a series of Class II and III Pictish stones found in Kirriemuir, Angus, Scotland. Their existence points to Kirriemuir being an important ecclesiastical centre in the late first millennium AD.
Kirriemuir has a history of witchcraft accusations dating back to the 16th century. A pond on the outskirts, known as the Witch Pool, was a millpond for the 19th-century Meikle Mill. Local amateur historians tend to think this referred to a "mickle" (small) [ 10 ] mill, but the reference is to one of James or his son Andrew Meikle's mills ...
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Kirriemuir Town House is a municipal structure in the High Street in Kirriemuir, Angus, Scotland. The structure, which was used as a museum from 2001 to 2023, is a Category B listed building . [ 1 ]
Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
The hornpipe is a style of dance music thought to have taken its name from an English reed instrument by at least the 17th century. [10] In the mid-18th century it changed from 3/2 time to 2/2, assuming its modern character, and probably reaching the height of its popularity as it became a staple of theatrical performances. [ 76 ]
English Miniature from a manuscript of the Roman de la Rose. Music in the British Isles, from the earliest recorded times until the Baroque and the rise of recognisably modern classical music, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. [11]
In later music, the instrument made of ox horn fills the gap between the flageolet and the recorder. [60] The mouthpiece of the instrument is at the top of the wide end of the horn; the large hole has been filled in with a blowing hole left at the top. A soundhole to create the sound is cut into the sidewall of the horn, along with fingerholes ...