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On Naïve and Sentimental Poetry (Über naive und sentimentalische Dichtung) is a 1795–6 paper by Friedrich Schiller on poetic theory and the different types of poetic relationship to the world. The work divides poetry into two forms. Naïve poetry is poetry of direct description while sentimental poetry is self-reflective.
Over the course of World War II, Miłosz's poetry evolved toward "poetic directness," a new poetic ethic in which the poet which was sovereign of the expectations of the reader and committed to providing the reader wisdom as the poet saw it. [21] Under this ethos, Miłosz produced The World: Naive Poems, a cycle of twenty
His editorial debut was the poetry book Sensul iubirii ("The Aim of Love"), which appeared under the Luceafărul selection, in 1960. He also was the recipient of numerous awards for his verse, the most important being the Herder Prize in 1975 and a nomination for the Nobel Prize in 1980.
His lyrical poetry has its roots in Romanian folklore intertwined with Kantian [48] and Schopenhauer's philosophy [49] and Buddhist cosmology. [50] Among his greatest poems are the romantic poems Floare Albastră (1872) and Luceafărul , as well as the series of five philosophical poems called Letters (1881–1890).
Luceafărul opens as a typical fairy tale, with a variation of "once upon a time" and a brief depiction of its female character, a "wondrous maiden", the only child of a royal couple—her name, Cătălina, will only be mentioned once, in the poem's 46th stanza.
Romantic poetry is rooted in and springs from sentimental. Charlotte Turner Smith is the first poet in England to be called romantic. Her poetry illustrates the common ground of sentimental and romantic as well as their differential qualities. [2] Sara Teasdale was praised for her lyrical mastery and romantic subjects. During World War I she ...
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