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Full score, dlib.indiana.edu "Mozart at the Met", Time, 7 January 1952; Così fan tutte at the Internet Movie Database; Opera guide and synopsis, opera-inside.com; Così fan tutte = So machen's Alle : komische Oper in 2 Akten (piano–vocal score by Hermann Levi) (in Italian and German). Translated by Eduard Devrient; C. Niese. Leipzig ...
Download as PDF; Printable version; In other projects Wikimedia Commons; ... Pages in category "Così fan tutte" This category contains only the following page.
Così fan tutte (1790). All created for the Court Opera in Vienna, they are in Italian, the language considered most suitable for opera at the time, and are Mozart’s most popular operas apart from Die Entführung aus dem Serail and The Magic Flute, composed on German libretti in the Singspiel genre.
Così fan tutte: Mozart: Sena Jurinac (Fiordiligi), Anna Pollak (Dorabella), Richard Lewis (Ferrando), Sesto Bruscantini (Guglielmo), Alda Noni (Despina), Dezsö Ernster (Don Alfonso) Vittorio Gui: Revival of 1948 production: 1952: Macbeth: Verdi: Marko Rothmüller (Macbeth), Dorothy Dow (Lady Macbeth), James Johnston (Macduff) Vittorio Gui ...
1790 Così fan tutte (Mozart). Third and last of the operas that Mozart set to libretti by Da Ponte, Così fan tutte was scarcely performed throughout the 19th century, as the plot was considered to be immoral. [40] 1791 La clemenza di Tito (Mozart). Mozart's last opera before his early death was extremely popular until 1830, after which the ...
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Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.