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The New York Times ' coverage of the wedding described Jacqueline's wedding attire in detail, referring to the gown as "a gown of ivory silk taffeta, made with a fitted bodice embellished with interwoven bands of tucking, finished with a portrait neckline, and a bouffant skirt." [3] However, the Times did not name the gown's designer, Ann Lowe.
The painting depicts an annual imperial ceremony of silk production, held in spring. It shows three groups of Tang dynasty court ladies at work. Viewing from left, one figure sitting on the ground is preparing a thread and the other is sewing while sitting on a stool. The right group of four ladies are pounding the silk with wooden poles.
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
Various Russian wedding traditions were explained, most notably the usage of turquoise in jewellery. In the ballroom were two bracelets on loan from the Dutch Royal collection. These show Anna Pauwlowna's Russian heritage and have the bride and groom's braided hair behind their initials and their names in turquoise.
Ramo Buchon is a rose bouquet that is dome-shaped, tightly packed, decorated, and wrapped in fancy paper. This bouquet is the perfect blend of style and substance. [19] The following gallery shows popular bride's bouquet shapes, including cascading, hand-tied, nosegay, pomander, flower spray and Biedermeier. [20]
The groom usually arrives first in church and waits for the bride, who usually arrives late. After they exchange flower bouquets, they have the wedding ceremony, where the best man puts the wedding rings and crowns on the couple. The couple drink red wine from the same glass (between one and three sips, depending on the tradition).
Zardozi is a type of heavy and elaborate metal embroidery on a silk, satin, or velvet fabric base. [2] Zardozi embroidery uses a wide variety of gold and silver embellishments such as: flat metal wires, spangles, coiled wires, heavy wires, and twisted wires . [ 3 ]
They themselves weave the silk into clothes made of a black patterned satiny silk". There are two main types of Cambodian weaving. The ikat technique (Khmer: chong kiet), which produces patterned fabric, is quite complex. To create patterns, weavers tie-dye portions of weft yarn before weaving begins. Patterns are diverse and vary by region ...
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