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The painting depicts an annual imperial ceremony of silk production, held in spring. It shows three groups of Tang dynasty court ladies at work. Viewing from left, one figure sitting on the ground is preparing a thread and the other is sewing while sitting on a stool. The right group of four ladies are pounding the silk with wooden poles.
The New York Times ' coverage of the wedding described Jacqueline's wedding attire in detail, referring to the gown as "a gown of ivory silk taffeta, made with a fitted bodice embellished with interwoven bands of tucking, finished with a portrait neckline, and a bouffant skirt." [3] However, the Times did not name the gown's designer, Ann Lowe.
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
Splash News. The gown featured a 26 foot veil and train and was embellished with 500,000 of her family's crystals. She topped off the look with sparkly earrings and Jimmy Choo heels.
Her other wedding adornments included a small Bible and a bouquet of lilies of the valley. [5] [8] The material cost and manufacturing cost of the dress was indicated as US$7266.68, excluding the fee of the designer. [4] In 2005, the Philadelphia Museum of Art discovered that her wedding shoes held a lucky penny, hidden in the right shoe. [10] [11]
Ramo Buchon is a rose bouquet that is dome-shaped, tightly packed, decorated, and wrapped in fancy paper. This bouquet is the perfect blend of style and substance. [19] The following gallery shows popular bride's bouquet shapes, including cascading, hand-tied, nosegay, pomander, flower spray and Biedermeier. [20]
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