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Mary Lowndes (1857–1929) was a British stained-glass artist who co-founded the stained glass studio and workshop Lowndes and Drury in 1897. She was an influential leader in the Arts and Crafts movement, not only for her stained glass work and successful studio-workshop, but also for opening doors for other women stained glass artists.
Caroline Charlotte Townshend (1878–1944) was a British stained glass artist of the Arts and Crafts Movement.She trained at Slade School of Fine Art and Central School of Arts and Crafts before becoming a pupil of Christopher Whall.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Willement became a leading and proficient stained-glass artist, reviving the medieval method of composing a window from separate pieces of coloured glass rather than painting pictures on glass with coloured enamels. [3] Willement married Katharine Griffith in 1817. Their son, Arthur Thomas, was born in 1833 and died at Oxford in 1854, aged 21 ...
Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986) Michael Glancy (1950-2020 ...
The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
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