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Possible sanxian (left) and pipa, from a 762-827 A.D. painting in the Mogao caves near Dunhuang―Grotto 46 Left interior wall, second panel. Also called cave 112. It has been suggested that sanxian, a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. [1]
The Lute Player is influenced by Caravaggio's early genre scenes, especially Caravaggio's own c. 1600 painting of the same name in the Hermitage Museum. [6] In turn, Gentileschi's painting was the inspiration for Giuseppe Crespi's c. 1700–1705 Woman Playing a Lute . [ 1 ]
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Pontormo, The Lute Player (c. 1529–1530), oil on panel, Alana collection, 2017. [1]"A painting by a minor master close to The Lute Player by Pontormo or the Madonna by Fra Angelico, which I rank among the greatest masterpieces in my collection."
The Self-Portrait as a Lute Player was created after Gentileschi was married and moved from Rome to Florence after a fourteen-month rape trial against Agostino Tassi. [9] [6] Self-Portrait as a Lute Player and other self-portraits of Gentileschi were painted for private collections and allowed her to express her wit and cultural knowledge. [6]
Santa Cecilia is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men."
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
The Lute Player, 1596, oil on canvas, Caravaggio Caravaggio seems to have composed the painting from studies of two figures. [ 10 ] The central figure with the lute has been identified as Caravaggio's companion Mario Minniti , and the individual next to him and facing the viewer is possibly a self-portrait of the artist. [ 4 ]