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In the fictional history of the world by J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines, and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range.
A poetic journal is a literary genre combining aspects of poetry with the daily, or near daily, "takes" of journal writing. Born of twin impulses: to track change in daily life and to memorialize experience, poetic journals owe allegiances to Asian writing — particularly the Japanese haibun of Matsuo Bashō, The Pillow Book of Sei Shōnagon, and the poetic diaries of Masaoka Shiki — as ...
dum diddy | dum diddy | dum diddy | dum diddy | dum diddy | dum dum. Also important in Greek and Latin poetry is the dactylic pentameter. This was a line of verse, made up of two equal parts, each of which contains two dactyls followed by a long syllable, which counts as a half foot. In this way, the number of feet amounts to five in total.
In cryptography, KHAZAD / x ɑː ˈ z ɑː d / is a block cipher designed by Paulo S. L. M. Barreto together with Vincent Rijmen, one of the designers of the Advanced Encryption Standard . KHAZAD is named after Khazad-dûm , the fictional dwarven realm in the writings of J. R. R. Tolkien (see also Khazad ).
The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into the Indian subcontinent in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many Languages of South Asia and Turkey. [4]
Measure is an international journal of formal poetry. It was founded by Paul Bone and Rob Griffith in 2005, following the demise of The Formalist. [1] [2] Measure is published by Measure Press and funded in part by the University of Evansville. The journal features poetry, critical essays, and interviews. [3]
Authors were mostly of the higher up yangban social class and emphasized how their sijo would be sung melodically first as opposed to written down later. This meant that the rhythmic pattern in these sijos had to be learned exactly to be considered a truthful recitation. Tang poetry was traditionally rhythmically segmented in its stanzas.