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Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
Theosophy takes art into Dan Brown territory. No serious student of art history wants to touch it. [205] Januszczak claimed also that Theosophy was "fraudulent" and "ridiculous," and that "one day, someone will write a big book on the remarkable influence of Theosophy on modern art" and "its nonsensical spell" on so many modern artists. [206]
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...
R. G. Collingwood suggested in his published work title, The Principles of Art, that the theory of art was developed upon the theory of the world. [9] Collingwood states in his work that art is imaginary by using the example that if one creates music based on their imagination then a tune is an imaginary thing. [12]
Art-based research is a mode of formal qualitative inquiry that uses artistic processes in order to understand and articulate the subjectivity of human experience. [ 1 ] [ 2 ] [ 3 ] The term was first coined by Elliot Eisner (1933–2014) who was a professor of Art and Education at the Stanford Graduate School of Education and one of the United ...
The beginning of Aristotle's Metaphysics, one of the foundational texts of the discipline. Metaphysics is the branch of philosophy that examines the basic structure of reality. It is traditionally seen as the study of mind-independent features of the world, but some theorists view it as an inquiry into the conceptual framework of human ...
Peirce divided metaphysics into (1) ontology or general metaphysics, (2) psychical or religious metaphysics, and (3) physical metaphysics. Henri Bergson (1859 – 1941) – French philosopher, influential especially in the first half of the 20th century. Bergson considered change to be the fundamental nature of reality.
Boethius teaching his students. The problem of universals is an ancient question from metaphysics that has inspired a range of philosophical topics and disputes: "Should the properties an object has in common with other objects, such as color and shape, be considered to exist beyond those objects?