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Prometheus is a free software application used for event monitoring and alerting. [2] It records metrics in a time series database (allowing for high dimensionality) built using an HTTP pull model, with flexible queries and real-time alerting.
A BOSH release can either be an archive file or a git repository. In both cases, it describes a software system that can be deployed with BOSH. For this purpose, it packages up all related binary assets, source code, compilation scripts, configurable properties, startup scripts and templates for configuration files.
Prometheus: Original Motion Picture Soundtrack is an original motion picture soundtrack album for the 2012 science fiction film, Prometheus.Written by German composer Marc Streitenfeld, the soundtrack also features two supplemental pieces by English composer Harry Gregson-Williams, [2] and it was conducted by Ben Foster.
Prometheus, a fictional experimental aircraft in The Sound Barrier; USS Prometheus, a fictional spacecraft in the episode "Message in a Bottle" of Star Trek: Voyager; USS Prometheus, a fictional starship in the episode "Second Sight" of Star Trek: Deep Space Nine; Prometheus CVS-101, a fictional super-carrier from Macross and Robotech
Prometheus (1774) was originally planned as a drama but never completed by Goethe, though the poem is inspired by it. Prometheus is the creative and rebellious spirit rejected by God and who angrily defies him and asserts himself. Ganymede, by direct contrast, is the boyish self who is both adored and seduced by God. As a high Romantic poet and ...
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"The Post-Modern Prometheus" is the fifth episode of the fifth season of the American science fiction television series The X-Files and originally aired on the Fox network on November 30, 1997. Written and directed by series creator Chris Carter, "The Post-Modern Prometheus" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching myth
The lied was written for bass voice in the key of B ♭ major, but the key moves repeatedly through various major to minor tonalities, ending in C major. [1] Goethe's dramatic declamation by Prometheus would be set again, with very different effect, by Hugo Wolf, [2] "with his alternations of ariosos and recitatives, Schubert created a miniature oratorio", observes Edward F. Kravitt.