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  2. Tragic hero - Wikipedia

    en.wikipedia.org/wiki/Tragic_hero

    Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]

  3. Mythos (Aristotle) - Wikipedia

    en.wikipedia.org/wiki/Mythos_(Aristotle)

    Regarding his view that emphasizes plot above character, Aristotle notes, "Tragedy is imitation not of human beings, but of actions and of a life." [ 15 ] [ 16 ] To show the difference between plot and character, he uses a metaphor that compares a plot to a sketched outline, and character to the colors that flesh out the sketch.

  4. The Tragedy of Macbeth (2021 film) - Wikipedia

    en.wikipedia.org/wiki/The_Tragedy_of_Macbeth...

    Macbeth's assassins, accompanied by Ross as the Third Murderer, kill Banquo. Ross then pursues Fleance through a field. [4] An increasingly paranoid Macbeth becomes a feared tyrant. At a royal banquet, he hallucinates and begins raving at an apparition of Banquo. Lady Macbeth has the guests dismissed before sedating Macbeth.

  5. Classical unities - Wikipedia

    en.wikipedia.org/wiki/Classical_unities

    Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...

  6. Peripeteia - Wikipedia

    en.wikipedia.org/wiki/Peripeteia

    Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery. A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events.

  7. Opsis - Wikipedia

    en.wikipedia.org/wiki/Opsis

    Aristotle's use of the term opsis, as Marvin Carlson points out, is the "final element of tragedy," but the term "receive[d] no further consideration". [3] Aristotle discusses opsis in book 6 of the poetics, [4] but only goes as far as to suggest that "spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of ...

  8. Abigail Thorn - Wikipedia

    en.wikipedia.org/wiki/Abigail_Thorn

    Abigail Thorn (born 24 April 1993) is an English YouTuber, actress, and playwright. [2] [3]Thorn created the YouTube channel Philosophy Tube in 2013, when she sought to provide free lessons in philosophy in the wake of the 2012 increase in university tuition fees in England.

  9. Poetics (Aristotle) - Wikipedia

    en.wikipedia.org/wiki/Poetics_(Aristotle)

    Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: There are differences in music rhythm, harmony, meter, and melody.

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