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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Mathnawi (Arabic: مثنوي, mathnawī) or masnavi (Persian: مثنوی, mas̲navī) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. [1]
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
In fact, against a tide of weariness, fear or despair, I have two small pieces of advice on this Earth Day, embedded in National Poetry Month: start a garden, (even one plant!), and read or write ...
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
A form of cynghanedd lusg known as "internal rhyme" (Breton : klotennoù diabarzh, enklotennoù or kenganez) was frequently used in Middle Breton, between the XIIth and XVIIth centuries, in poetry, like in Pemzec Leuenez Maria or in the sonnet from Français Moeam, and theatre like in lots of misterioù, religious pieces, such as Buhez Sante ...
The poem uses internal half rhyme and full rhyme as well as end rhyme. Thomas was very conscious of the effect of spoken or intoned verse and explored the potentialities of sound and rhythm, in a manner reminiscent of Gerard Manley Hopkins .
[a] [7] Tolkien makes use of many poetic devices in the poem, such as alliteration, anthropomorphism, assonance, and internal rhyme. Tolkien varies the metre slightly from the strict iambic in "They rolled the Man slowly up the hill". [7] Literary techniques include personification and simile.