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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from ...
Music arranger(s): Charles Gounod (1818–1893) Conductor: none Performer(s): Jo Vincent (1898–1989) Vocal range: soprano with organ and violin accompaniment Title/Work: Ave Maria. Content: (Méditation sur le Premier Prélude de Piano de S. Bach) Genre(s): Musical improvisation Source
Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
Charles-François Gounod (/ ɡ uː ˈ n oʊ /; French: [ʃaʁl fʁɑ̃swa ɡuno]; 17 June 1818 – 18 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been Faust (1859); his Roméo et Juliette (1867) also remains in the international repertory.
Their early version of the Bach-Gounod Ave Maria (G.C. 03033) was recorded twice, in October 1904 and again in February 1905, and this was one of the great early classics of the gramophone, one of those records which 'made' the instrument a popular success, though the double celebrity single-sided title retailed at one guinea.
Ave Maria (1890) La contemplation de Saint François au pied de la croix and La mort de Saint François (1891) Second Ave Maria, meditation (1892) [Based on Bach's second prelude] Je te rends grâce, ô Dieu d'amour, canticle. Four-part. Words by Paul Collin. For soli ad libitum, chorus and piano or organ (1892) Version for voice and piano
Portrait of Franz Schubert by Franz Eybl (1827) Walter Scott " Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.
She performed the violin solo in the Atom Egoyan film "Adoration" which won the Ecumenical Jury Prize at Festival de Cannes, featuring music composed by Mychael Danna. On Nov.27, 2013, Susanne Hou used the Kreisler violin to record Beethoven's 1806 Violin Concerto in D Major, Op. 61 with the London Symphony Orchestra. [8]
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