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Hymns Instrumental, released in 1989, is the final studio album from contemporary Christian music group 2nd Chapter of Acts. It features no vocals, but is an instrumental collection of all but three of the tracks from the previous two Hymns releases.
Sonata for flute, violin, cello and harp (1986) Songs Without Words for flute and harp (1998) Joseph Bologne, Chevalier de Saint-Georges. Sonata for flute and harp; Howard J. Buss. Alpine Spring for flute and harp (2008) Inner Quest for flute and harp (2011) Saint Francis and the Animals for flute, clarinet and harp (2013)
Britten composed the music at the same time as the Hymn to St. Cecilia and in similar style. Originally conceived as a series of unrelated songs, it was later unified into one piece with the framing processional and recessional chant in unison based on the Gregorian antiphon "Hodie Christus natus est". A harp solo based on the chant, along with ...
The band quickly found a following in the thriving music scene of Northeast Ohio, particularly alongside contemporaries such as The James Gang.Glass Harp were especially popular at the legendary JB's in Kent, Ohio, playing to packed houses during the volatile days surrounding the anti-war demonstrations at Kent State University.
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically). In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition". Thus, "D,C 49 ...
The seeds of her first album, "Harpistry", were sown during her involvement with a mediaeval instrumental group, Arcana Mundi, a concept dreamed up by Craig Leon, who would later become her producer. Thornton signed a deal with EMI in 2002, and between trips abroad with Bryan Ferry, she sourced the material for her first album, with help from Leon.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The distinction between songs, hymns and poetry in ancient Egyptian texts is not always clear. The convention is to treat as songs those poetic texts which are depicted with musical instruments. If the songs are seen to have a clear connection with temple cults and festivals then they are commonly described as hymns. [5]