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"Goodbye, Farewell and Amen" is a television film that served as the series finale of the American television series M*A*S*H. The 2½-hour episode first aired on CBS on February 28, 1983, ending the series' original run.
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H. M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). [1]
M*A*S*H television series cast members c. 1974. Back row: Larry Linville, Wayne Rogers, and Gary Burghoff. Front row: Loretta Swit, Alan Alda, and McLean Stevenson This is a list of characters from the M*A*S*H franchise created by Richard Hooker, covering the various fictional characters appearing in the novel MASH: A Novel About Three Army Doctors (1968) and its sequels M*A*S*H Goes to Maine ...
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972, to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.
Lineback had previously appeared in the Season 8 episode "Dear Uncle Abdul." George Wendt plays a Marine with a pool ball stuck in his mouth, and Andrew Dice Clay (billed as "Andrew Clay") plays another Marine who is attended to by B.J. for injuries incurred from driving into a chicken coop while drunk.
On Monday, Jan. 1, M*A*S*H fans are invited to ring in the new year with M*A*S*H: The Comedy That Changed Television, a two-hour special airing on Fox and featuring new interviews with series vets ...
A Greek colonel donates a baby lamb as the main course for an Easter barbecue for his wounded men and the 4077th, but Radar tries to protect it. Sid Dorfman received a Writers Guild Award nomination for this episode.
An hour-long clip show (split for syndication): A newsreel correspondent (Clete Roberts) interviews the characters about life at the 4077th. The new footage for this episode was filmed in black and white, while the clips from past episodes — which include Henry Blake, Trapper John McIntyre, and Frank Burns — are in their original color.