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Hawkeye's treatment progresses, and he eventually realizes that the woman on the bus had actually smothered her baby to prevent being heard by the enemy patrol, not a chicken as Hawkeye had initially thought in a false memory. He breaks down at the realization and vents anger on Sidney for making him remember the true nature of the incident.
"Abyssinia, Henry" is the 72nd episode of the M*A*S*H television series and the final episode of the series' third season. It was written by Everett Greenbaum and Jim Fritzell, and it first aired on March 18, 1975.
The bus drives off, but stops just outside camp in front of Rosie's Bar; Hawkeye grudgingly climbs out the back door and walks back to camp. The episode ends with Hawkeye on the phone talking to his father, casually explaining how he's still dead as far as the Army is concerned and asking if he could be sent his allowance again.
He recommended that Hawkeye return to the 4077th for the end of the war to come to terms with what he had endured. In real life, Pierce would have faced a Section 8 discharge due to his emotional breakdown, having serving in Korea for at least two years in a MASH unit. In an episode earlier in the series, Hawkeye is mistakenly reported dead.
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H. M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). [1]
B.J. gets a call from Hawkeye's father — the Army mistakenly lists Hawkeye as dead. Hawkeye tries to take advantage of the situation, but it isn't as good as he thinks. He can't receive any pay, send out or receive any mail, telegrams, or phone calls. Note – Gary Burghoff, Loretta Swit, & William Christopher do not appear in this episode.
The 4077th tries to find a permanent home for a half-American, half-Korean baby abandoned at the camp. However, the officers find themselves caught between the United States' refusal to take responsibility for its soldiers' actions, and the likelihood that the child will be killed by Koreans in the name of racial purity.
Potter wants to paint a portrait of the staff for his wife's birthday, but a feud between Hawkeye, B.J. and Charles is not a pretty picture. Hawkeye moves out of the Swamp and rents a hut behind Rosie's bar. Burt Metcalfe received a Primetime Emmy Award nomination for directing this episode.
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