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Getting to Yes: Negotiating Agreement Without Giving In is a best-selling 1981 non-fiction book by Roger Fisher and William Ury. [1] Subsequent editions in 1991 [2] and 2011 [3] added Bruce Patton as co-author. All of the authors were members of the Harvard Negotiation Project. The book suggests a method of principled negotiation consisting of ...
Distributed creativity is a sociocultural framework for understanding how creativity emerges from the interactions of people, objects and their environment. It is a response to cognitive accounts of creativity exemplified by the widely used four Ps framework. According to Vlad Petre Glǎveanu, "instead of an individual, an objects or a place in ...
Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically. [1][2] By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed that they were achieving the ...
Socratic questioning (or Socratic maieutics) [1] is an educational method named after Socrates that focuses on discovering answers by asking questions of students. According to Plato, Socrates believed that "the disciplined practice of thoughtful questioning enables the scholar/student to examine ideas and be able to determine the validity of those ideas". [2]
A polyptych (/ ˈpɒlɪptɪk / POL-ip-tik; Greek: poly- "many" and ptychē "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or quadriptych has four parts, whereas a polyptych describes any work of art formed ...
It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3] It is on display at the Los Angeles County Museum of Art. [1] The painting shows an image of a pipe. Below it, Magritte painted, "Ceci n'est pas une pipe" (pronounced [sə.si ne paz‿yn pip], French for "This is not a pipe".) The famous pipe.
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art". [3]
English art is the body of visual arts made in England.England has Europe's earliest and northernmost ice-age cave art. [1] Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, [2] and English art continued thereafter to have a distinct character.