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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
In 3rd century Roman Egypt, the Coptic Rite Desert Fathers in Scetes carried pebbles in pouches to count their praying of the Psalms. [3] The Pater Noster Cord, however, originated in the 8th century Celtic Church in Gaelic Ireland as a means to count the recitation of the one hundred and fifty Psalms in the Christian Bible, which are incorporated into the fixed prayer times of Christianity. [5]
And my mouth will proclaim your praise" (Ps 50/51 v.17), and continuing with an antiphon and the Invitatory Psalm, usually Psalm 94/95. All psalms and canticles are accompanied by antiphons. Unless the invitatory is used, each hour begins with the versicle "O God, come to our aid: O Lord, make haste to help us" (Ps 69/70 v.2) The "Glory be to ...
The practice of daily prayers grew from the Jewish practice of reciting prayers at set times of the day known as zmanim: for example, in the Acts of the Apostles, Saint Peter and John the Evangelist visit the Temple in Jerusalem for the afternoon prayers. [4] Psalm 119:164 states: "Seven times a day I praise you for your righteous laws" (of ...
The Psalms of Asaph (English: / ˈ eɪ. s æ f / Ay-saf; [1] Hebrew: אָסָף ’Āsāp̄, "Gather" [2]) are the twelve psalms numbered as 50 and 73–83 in the Masoretic Text, and as 49 and 72–82 in the Septuagint. They are located in the Book of Psalms in the Hebrew Bible (which is also called the Old Testament).
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Each day of the week possesses a distinct psalm that is referred to by its Hebrew name as the shir shel yom and each day's shir shel yom is a different paragraph of Psalms. [ 2 ] Although fundamentally similar to the Levite's song that was sung at the Holy Temple in Jerusalem in ancient times, there are some differences between the two.
Josquin's setting of the Miserere was influential not only as a psalm setting, but as an example of how to approach the text of Infelix ego. Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian Willaert , Cipriano de Rore , and Nicola Vicentino , all of whom wrote motets on Infelix ego , used Josquin ...