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Mugamoodi is the soundtrack album composed by K for the 2012 Tamil-language superhero film of the same name starring Jiiva and Pooja Hegde in lead roles, directed by Mysskin.The film marks K's second collaboration with Mysskin after Yuddham Sei (2011).
This is the Tamil discography of veteran Indian male playback singer K. J. Yesudas, who sang in over 700 songs in Tamil films. [1] [2] [3] Yesudas's first film was in the film Bommai (1963) as Neeyum Bommai Naanum Bommai composed by S. Balachander. [4]
The song was one of Waters' last charting singles and appears on several of his compilation albums, including the 1965 album The Real Folk Blues. He later recorded "Forty Days and Forty Nights" for the 1969 Fathers and Sons album and the Authorized Bootleg: Live at the Fillmore Auditorium November 4–6, 1966 album released in 2009.
Muddy Water Blues: A Tribute to Muddy Waters is the second solo album by Paul Rodgers (of Free and Bad Company fame), consisting predominantly of covers of songs made famous by blues artist Muddy Waters.
The Anthology: 1947–1972 is a double compilation album by Chicago blues singer and guitarist Muddy Waters. It contains many of his best-known songs, including his R&B single chart hits "I'm Your Hoochie Coochie Man", "Just Make Love to Me (I Just Want to Make Love to You)", and "I'm Ready". Chess and MCA Records released the set on August 28 ...
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts. The album is the first by Waters and the third by Chess on the long playing (or LP ...
Muddy, Brass & the Blues, sometimes referred to as Brass and the Blues, is an album by the blues musician Muddy Waters, released by Chess Records in 1966. [ 5 ] [ 6 ] [ 7 ] Critical reception
Luther "Georgia Boy" Johnson, a member of Waters's band in the 1960s, co-opted the song as his own, "complete with Muddy's gospel preaching at the song's climax". [ 9 ] David Dicaire, in Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century , calls the song "a definitive modern blues classic". [ 4 ]