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Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Historia Calamitatum (known in English as The Story of My Misfortunes or The History of My Calamities), also known as Abaelardi ad Amicum Suum Consolatoria, is an autobiographical work in Latin by Peter Abelard (1079–1142), a medieval French pioneer of scholastic philosophy.
He was a co-editor of Scrutiny, the literary journal of F. R. Leavis's school, from May 15, 1932, to 1953 when it ceased publication.. He was an English lecturer at the University of Manchester in 1933, then Professor of English Literature at the University of Sheffield in 1947 and the Winterstoke Professor of English at University of Bristol in 1953.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
It was published by Atheneum Books in 1967 and next year in the UK by Macmillan under the title Jennifer, Hecate, Macbeth and Me. [1] Jennifer, Hecate was the author's first book published, the same year as her second book From the Mixed-Up Files of Mrs. Basil E. Frankweiler.
Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above. For example, novelist and literary critic Adam Mars-Jones wrote, "[Booker] sets up criteria for art, and ends up condemning Rigoletto , The Cherry Orchard , Wagner , Proust , Joyce , Kafka and Lawrence —the list goes on—while ...