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  2. Afrobeats - Wikipedia

    en.wikipedia.org/wiki/Afrobeats

    This is in contrast to the Afrobeats sound, pioneered in the 2000s and 2010s. While afrobeats takes on influences from afrobeat, it is a diverse fusion of various different genres such as British house music, hiplife, hip hop, dancehall, soca, jùjú music, highlife, R&B, ndombolo, Naija beats, Azonto, and palm-wine music.

  3. Dancehall (album) - Wikipedia

    en.wikipedia.org/wiki/Dancehall_(album)

    Download QR code ; Print/export ... is a 2008 compilation album of dancehall music released ... Dancehall was released by Soul Jazz Records in 2008 on compact disc ...

  4. Dancehall pop - Wikipedia

    en.wikipedia.org/wiki/Dancehall_pop

    Dancehall and soca songs such as Kevin Lyttle's "Turn Me On" and Rupee's "Tempted to Touch", both released in 2002 and 2003 respectively, are examples of the early combinations of the digital pop style and Caribbean rhythms into the western music scene. It was dancehall pop artist Sean Paul, who released his second studio album Dutty Rock in ...

  5. Dancehall - Wikipedia

    en.wikipedia.org/wiki/Dancehall

    Dancehall music, also called ragga, is a style of Jamaican popular music that had its genesis in the political turbulence of the late 1970s and became Jamaica's dominant music in the 1980s and '90s. It was also originally called Bashment music when Jamaican dancehalls began to gain popularity.

  6. Riddim - Wikipedia

    en.wikipedia.org/wiki/Riddim

    In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but ...

  7. Zimdancehall - Wikipedia

    en.wikipedia.org/wiki/Zimdancehall

    Zimdancehall started in the late 1980s with the rising up of local sound systems.The popularity of these recordings led to more studio recordings. By the end of the 1990s, a number of local youths were recording singles and albums independently and reggae bands like Cruxial Mix (Trevor Hall) and Black Roots holding regular weekly shows to showcase artists.

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