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Deadringer is the debut studio album by RJD2. [1] It was released on Definitive Jux on July 23, 2002. [2] It features vocal contributions from Blueprint, Jakki da Motamouth, and Copywrite. [3]
Freesound is a collaborative repository of Creative Commons licensed audio samples, and non-profit organisation, with more than 500,000 sounds and effects (as of May 2021), [1] and 8 million registered users (as of March 2019). Sounds are uploaded to the website by its users, and cover a wide range of subjects, from field recordings to ...
Films released under a free license such as Creative Commons are also excluded. Note : This list is not comprehensive; the vast majority of public domain films are not listed here. This list includes a selection of notable films where a reliable secondary source is available that discusses public domain status.
User contributed sound recordings released under Creative Commons licenses. From field-recordings to sound fx, drum loops and musical instrument samples. CC0, CC BY, CC BY-NC Samplibrary: No Yes Custom HD 96khz 24 bit wav recorded sounds with ongoing free new sounds and The Suggestion Engine where creators can request sounds Royalty Free
The voice of the scream, Sheb Wooley The Wilhelm scream originates from a series of sound effects recorded for the 1951 movie Distant Drums. [1] [2] In a scene from the film, soldiers fleeing a Seminole group are wading through a swamp in the Everglades, and one of them is bitten and dragged underwater by an alligator.
Selected Memories from the Haunted Ballroom is the debut studio album by the Caretaker, an alias of musician Leyland Kirby.Released in 1999, it consists of an influence from the horror film The Shining, manipulating songs from the 1920s to resemble the film's music.
Sad Satan is a horror video game released for Microsoft Windows in 2015. The game was allegedly created by a dark web user operating under the pseudonym "ZK".. In the game, the player walks down dimly lit corridors in a first-person view while being periodically interrupted by flashes of full-screen images.
Describing his disappointment with many concept albums that he encountered being still primarily "guitar-drums-bass", producer Jonathan Snipes stressed that the band aimed to choose timbres and sounds that were meaningful in the context of the songs and referenced concepts described in the lyrics.
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