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The Asante in Ghana use non-figurative patterns representing proverbs while the Ewes [25] use figurative weft patterns also representing proverbs. The Yoruba introduce rows of holes lengthwise in the woven cloth strip. Beadwork is common in East Africa and Southern Africa although it is still used in other parts of Africa including Nigeria and ...
[29] Butler often uses kente cloth and African wax printed fabrics in her quilts, so her subjects are "adorned with and made up of the cloth of our ancestor." [11] [12] Butler's quilts both heavily incorporate African textiles a well as expand on a rich African American quilting tradition. [10]
In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
Kente patterns vary in complexity, with each pattern having a name or message by the weaver. Ghanaians choose kente cloths as much for their names as their colors and patterns. Although the cloths are identified primarily by the patterns found in the lengthwise (warp) threads, there is often little correlation between appearance and name.
This style of African-American quilts was categorized by its bright colors, organization in a strip arrangement, and asymmetrical patterns. Quilt by Lucy Mingo c. 1979. The first nationwide recognition of African-American quilt-making came when the Gee's Bend quilting community of Alabama was celebrated in an exhibition that opened in 2002 and ...
However, this strong tradition of weaving left a visible mark on African-American quilting. The use of strips, reminiscent of the strips of reed and fabric used in men's traditional weaving, are used in fabric quilting. A break in a pattern symbolized a rebirth in the ancestral power of the creator or wearer.
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