Search results
Results from the WOW.Com Content Network
Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total. This list may not reflect recent changes .
Francesco Monteverde (19th century) Paolo Moranda Cavazzola (1486–1522) Giorgio Morandi (1890–1964) Domenico Morani (1813–1870) Domenico Morelli (1823–1901) Moretto da Brescia (c.1498–1554) Emma Moretto (19th century) Giovan Battista Moroni (1522–1579) Tulio Moy (1856–1894) [25] Carlo Muccioli (1857–1931) Quirizio di Giovanni da ...
Animalier school or animalier [1] [2] [3] art was a late-18th and 19th-century artistic genre and school of artists who focused on depictions of animals. The movement was largely centered in France, with some artists producing related subject matter in England, Italy, Germany, Russia, and North America.
Equine sporting art was popular in the 19th century, with notable artists of the period being Benjamin Marshall, James Ward, Henry Thomas Alken, James Pollard, John Frederick Herring Sr., and Heywood Hardy. Horse racing gradually became more established in France, and Impressionist painter Edgar Degas painted many early racing scenes.
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
The portrait has been described as one of David's masterpieces, [1] [2] [3] and marking the return to prominence of equestrian portraiture in European late 18th-century painting. [19] The art historian Lorenz Eitner notes the influence of two 17th-century Flemish Baroque painters, Peter Paul Rubens and Anthony van Dyck, on David's 1781 portrait ...
[7] [8] This style of cropping was uncommon in painting in general before the invention of photography. Degas has also been suggested to have taken influences from English paintings when painting At the Races in the Countryside. The green coloring of the painting is suggestive of an influence from English horse racing scenes. [9]
Little was known of Troye's work in the eastern United States until 1912. Since then, more than 300 of his paintings have been found, of which three-fourths have been photographed since 1912. In addition, he is the author of The Race Horses of America (1867). [2] Troye is buried in Georgetown Cemetery with his wife and grandson, Clarence D ...