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Budi is the fourth of six children, all male. [1] During his childhood and teens, Budi and his family lived in a number of different cities in Java, including Yogyakarta, Bandung and Semarang, due to the nature of his father's position in the postal service. [2]
Teori Kesusastraan [Theory of Literature]. Translated by Melani Budianta. Jakarta: Gramedia Pustaka Utama. ISBN 9789794034545. Budianta, Melani (2002). Membaca Sastra: Pengantar Memahami Sastra untuk Perguruan Tinggi [Reading Literature: An Introduction to Understanding Literature for Higher Education]. Magelang: IndonesiaTera. ISBN 9789799375841.
Signature of Hans Robert Jauss, 1972. Hans Robert Jauss (German: Jauß or Jauss; 12 December 1921 – 1 March 1997) was a German academic, notable for his work in reception theory (especially his concept of horizon of expectation) and medieval and modern French literature.
In Western literature, Shastra is sometimes spelled as Sastra, [4] reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'.
Karl Korsch was born in the small rural village of Tostedt (near Hamburg) to Lutheran parents, Carl August Korsch and his wife Therese (née Raikowski) on August 15, 1886. [4] [5] Although Karl's father worked as a secretary in a city hall bureau, he was deeply devoted to studying the philosophy of Leibniz in his private life.
Novel Sastra Indonesia Sebelum Parang (1979) Sastra Indonesia Modern: Beberapa Catatan (Modern Indonesian Literature: Scattered Notes), 1982; Bilang Begini, Maksudnya Begitu (1990) Politik, Ideologi dan Sastra Hibrida (Politics, Ideology and Hybrid Literature), 1999; Sihir Rendra: Permainan Makna (Rendra the Magician: The Play of Meaning), 1999
Siregar was born in Langsa, Aceh, Dutch East Indies, on 14 December 1922. [1] He was active writing by the Japanese occupation in the early 1940s, as evidenced by one of his short stories, "Tanda Bahagia" ("Sign of Happiness"), being published in Asia Raja on 1 September 1944.
Apart from sastra olla books, the ancient Khmers also made paper books (from mulberry bark) known as kraing and wrote on stone, metals, and human skin (tattoos) but rarely used animal hide or skins. Every Khmer manuscript identified by the French School of the Extreme Orient a more detailed classification in 6 categories. [10]