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Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Art historian Marina Shumova wrote that the peculiarity of Bryullov's ceremonial portraits was "a combination of representativity and vitality, conventionality and precise observation of life" in her book "Russian Painting of the first half of the 19th Century", published in 1978. According to Shumova, in the painting "Horsewoman" "the mastery ...
In the late 18th century and early 19th century, neoclassical artists continued the tradition of depicting subjects in the latest fashions, which for women by then, meant diaphanous gowns derived from ancient Greek and Roman clothing styles. The artists used directed light to define texture and the simple roundness of faces and limbs.
Most paintings of the period that include black women show them as servants to a white woman; while Madeline sits alone, she is working as a model to the unseen Benoist. The simple white clothes have a neoclassical air, similar to other contemporary portraits such as Jacques-Louis David’s 1799 portrait of Henriette de Verninac. The bared ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background. The scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to a temporary setback to Sargent while in France, [ 2 ] though it may have helped him later establish a successful ...
Eliza Cecilia Beaux (May 1, 1855 – September 17, 1942) was an American artist and the first woman to teach art at the Pennsylvania Academy of the Fine Arts.Known for her elegant and sensitive portraits of friends, relatives, and Gilded Age patrons, Beaux painted many famous subjects including First Lady Edith Roosevelt, Admiral Sir David Beatty and Georges Clemenceau.