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Shakespeare's poem The Phoenix and the Turtle was first published in Robert Chester's Loves Martyr (1601). The Phoenix and the Turtle (also spelled The Phœnix and the Turtle) is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, Love's Martyr, by Robert Chester.
Arthur Brooke (died 19 March 1563) was an English poet who wrote and created various works including The Tragical History of Romeus and Juliet (1562), considered to be William Shakespeare's chief source for his tragedy Romeo and Juliet (published in 1597).
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
Sonnet 54 is an English or Shakespearean sonnet.The English sonnet contains three quatrains followed by a final rhyming couplet.This poem follows the rhyme scheme of the English sonnet, abab cdcd efef gg and is composed in iambic pentameter, a type of metre in which each line has five feet, and each foot has two syllables that are accented weak/strong.
Hazlitt felt compelled to add to his commentary on the plays some words on Shakespeare's nondramatic poetry, in the chapter "Poems and Sonnets". While he liked a few of the sonnets, [257] for the most part Hazlitt found Shakespeare's nondramatic poetry to be artificial, mechanical, and, overall, "laboured, uphill work."
The poem answers its own questions by pointing out that his best work is inspired by fidelity to the subject of the poems. [ 3 ] The sonnet seems to be sincerely self-denigrating about the poet's lack of variety, and lack of incorporating the latest fashions, but at the same time there is a sense that the self-effacing pose doesn't ring true.
In the sonnet the poem expresses the poet's contentedness in comparison to others, though they may have titles, honors, or are favored at court, or are noted warriors. It prefigures the more famous treatment of class differences found in Sonnet 29. There are noted similarities in this sonnet and in the relationship of Romeo and Juliet.
The poem begins with the act of looking in a mirror, and the act of noticing the passage of time – which operate exactly as a memento mori: the medieval tradition of contemplating one's own mortality. The poem turns from that and ends with a model of creative productivity through observation, contemplation and writing — in a collaboration ...