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In 1989, Parker portrayed Jamie Jasper in the tenth episode of Inspector Morse.In 1997, he portrayed King David in a made-for-TV film. [10]Parker played a variety of television costume drama roles, such as: Martin Jordan in the 1995 TV production of Joanna Trollope's A Village Affair, [11] Gabriel Oak in the Granada/WGBH-TV co- production of Far From the Madding Crowd (1997), [12] and Martin ...
It contains a patent-pending chord voicing engine, three separate synthesizer emulators (a polyphonic virtual analog subtractive synth, an FM synth and a vintage reed piano emulation inspired by a ...
Due to the tune incorporating many of the chords most commonly used in jazz and the multiple key transitions of the B-section, the tune is often recommended by tutors as a core standard to learn early on in a jazz pupil's development. Notably, Charlie Parker learned the tune in his early days in all 12 keys as a training exercise.
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
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Jesus then is baptized by a wild preacher named John the Baptizer, and begins to teach the people and convince the disciples. He shares with them the love and peace he offers, and miraculously heals and feeds many. During this time Jesus gathers a band of constant followers (known as the Apostles in the Bible.) This group eventually heads off ...
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Lennie Tristano wrote the contrafact "Lennie-bird" over the chord changes, and Miles Davis/Chuck Wayne's "Solar" is also based on part of the chord structure. [48] Coleman Hawkins' tune "Bean At Met" is also based on the changes of How High The Moon; this tune starts with simple riffs on the measures 1 to 8 and 17 to 24.