Search results
Results from the WOW.Com Content Network
"The Music and Theories of Josef Matthias Hauer", Ph.D. dissertation. Ann Arbor: University of Michigan. Covach, John. 1992. "The Zwölftonspiel of Josef Matthias Hauer”. Journal of Music Theory 36.1 (1992): 149–84. Covach, John. 2002. "Twelve-Tone Theory”. In The Cambridge History of Western Music Theory, edited by Thomas Christensen ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales . Like many musical scales, it is made up of seven notes : the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
[2] A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. [3] The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures ...
Western music is a form of music composed by and about the people who settled and worked throughout the Western United States and Western Canada. Western music celebrates the lifestyle of the cowboy on the open range, along the Rocky Mountains , and among the prairies of Western North America.
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches.As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.
In Pythagorean music theory, the epogdoon (Ancient Greek: ἐπόγδοον) is the interval with the ratio 9 to 8. The word is composed of the prefix epi- meaning "on top of" and ogdoon meaning "one eighth"; so it means "one eighth in addition". For example, the natural numbers are 8 and 9 in this relation (8+(×8)=9).
Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]