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French verbs have a large number of simple (one-word) forms. These are composed of two distinct parts: the stem (or root, or radix), which indicates which verb it is, and the ending (inflection), which indicates the verb's tense (imperfect, present, future etc.) and mood and its subject's person (I, you, he/she etc.) and number, though many endings can correspond to multiple tense-mood-subject ...
-re was the regular form in early Latin and (except in the present indicative) in Cicero; -ris was preferred later. [6] In early Latin , the 3rd singular endings -at and -et were pronounced -āt and -ēt with a long vowel. [6] Other forms: Infinitive: amāre "to love" Passive infinitive: amārī "to be loved" (in early Latin often amārier) [6]
Most French verbs are regular and their inflections can be entirely determined by their infinitive form. If not regular, a verb may incur changes its stem, changes in the endings or spelling adjustments for the sake of keeping correct pronunciation.
Translated into Latin from Baudelaire's L'art pour l'art. Motto of Metro-Goldwyn-Mayer. While symmetrical for the logo of MGM, the better word order in Latin is "Ars artis gratia". ars longa, vita brevis: art is long, life is short: Seneca, De Brevitate Vitae, 1.1, translating a phrase of Hippocrates that is often used out of context. The "art ...
The -iss-or -ïss-in much of their conjugation is a reflex of the Latin inchoative infix -isc-/-esc-, but does not retain any aspectual semantics. The third conjugation class consists of all other verbs: aller, arguably (r)envoyer, a number of verbs in -ir (including all verbs in -oir, which is an etymologically unrelated ending), and all verbs ...
In spoken French, the plurality of most nouns is marked not on the form of the noun itself but by a preceding article or determiner (cf. la maison [la mɛzɔ̃] 'the house' > les maisons [le mɛzɔ̃] 'the houses'; mon frère [mɔ̃ fʁɛːʁ] 'my brother' > mes frères [me fʁɛːʁ] 'my brothers').
In Latin, most verbs have four principal parts.For example, the verb for "to carry" is given as portō – portāre – portāvī – portātum, where portō is the first-person singular present active indicative ("I carry"), portāre is the present active infinitive ("to carry"), portāvī is the first-person singular perfect active indicative ("I carried"), and portātum is the neuter supine.
A third type of periphrastic conjugation, which eventually developed into the perfect or pluperfect tenses in Romance languages such as Italian and French, is formed from the accusative perfect participle (ductum, ductam, ductōs etc., according to the gender and number of the object) combined with various tenses of habeō 'I have', for example ...