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Plagiomnium venustum, also known as magnificent leafy moss, is a species of moss belonging to the family Mniaceae. [2] It is found mainly in western North America along the coastal region. [ 3 ] This moss can be identified from other members of the Plagiomnium genus by dark coloured stomata guide cells and the absence of sterile stems. [ 2 ]
These plants are upright, unbranched and unisexual. Their stems are naked, up to 3 cm high, are shiny and have large leaves. Male plants have large, rose-like clusters of leaves at the tip while female plants have capsules.
Plagiomnium insigne, the badge moss or coastal leafy moss, [1] is a species of moss found on humus in moist, shaded, lowland forests. It can also be found on soil along trails and other shaded, open areas. The moss sometimes forms lush, extensive mats.
Moss is thought to add a sense of calm, age, and stillness to a garden scene. Moss is also used in bonsai to cover the soil and enhance the impression of age. [65] Rules of cultivation are not widely established. Moss collections are quite often begun using samples transplanted from the wild in a water-retaining bag.
There are also 270 coral species spread over an area of 1,000 hectares (2,500 acres). In addition, the marine fauna and flora are of 1,323 species including 44 species in the Red Data Book of Vietnam. The park has the richest diversity of 153 species of mollusc species, reported to be the highest for any island in Vietnam.
Hương Thanh is a Vietnamese singer of various genres, including Cai Luong and jazz fusion. [1] In 2007, France Musique honored her with the Musique du monde award. Her early discography includes Chuyện ba người (1995), Moon and Wind ( ACT Music , 1999), and Tales from Vietnam, de Nguyên Lê (ACT Music, 1996).
During the expansion of Vietnam some place names have become Vietnamized. Consequently, as control of different places and regions has shifted among China, Vietnam, and other Southeast Asian countries, the Vietnamese names for places can sometimes differ from the names residents of aforementioned places use, although nowadays it has become more ...
Hòn non bộ, as well as miniature plants and rocks, are mentioned in Đoạn Trường Tân Thanh, a thousand-page book by Nguyễn Du (1766–1820). [9] During the Nguyễn dynasty (1802–1945), the art of miniature plants without much additional landscaping, cây kiểng, flourished. (It was called cây cảnh in the north.)