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Carnival Memphis (formerly known as the Memphis Cotton Carnival) is a series of parties and festivals staged annually since 1931 in Memphis, Tennessee, by the centralized Carnival Memphis Association and its member krewes (similar to that of Mardi Gras) during the month of June.
The exchange also promoted "Memphis cotton" in major markets such as New York and London. [2] For a time the Cotton Exchange was housed in what is now called the Exchange Building, built in 1910 on 9 North Second Street in Memphis. The tall, 20-story building credited to N. M. Woods housed both the Cotton and Merchant exchanges for a period ...
By 1900, the city was the world's leading inland cotton market and the largest producer of cottonseed oil. [2] During the 1880s and 1890s, between 400,000 and 700,000 cotton bales arrived yearly in Memphis. The cotton industry had a great influence on the city and the region.
The organization was launched at the Peabody Hotel in Memphis, Tennessee on November 21, 1938, by Oscar G. Johnston. [6] [1] [7] A few months later, in January 1939, the first council meeting took place at the Adolphus Hotel in Dallas, Texas. [6] From 1940 to 1993, it sponsored the Maid of Cotton at the Carnival Memphis in Memphis, Tennessee. [6]
In 1865, another cotton trading company, Smith, Coney and Barrat, was founded and soon became very successful. By the middle of the twentieth century, the firms had grown to become two of the United Kingdom's leading cotton merchants and in 1962 the two companies agreed to merge, forming Ralli Brothers and Coney.
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It's a risky venture speculating on future cotton prices but Dunavant prospered while others floundered." On March 13, 2007, Dunavant was inducted into the Futures Industry Association's Hall of Fame for his work in the cotton futures business. After a successful career in the cotton industry, Dunavant stepped down as chief executive officer in ...
The building opened as the Memphis Auditorium and Market House and was renamed for Memphis Chamber of Commerce President Robert R. Ellis after his death in 1930. [ 1 ] The auditorium was segregated and had a separate entrance and balcony for black patrons, [ 2 ] and in 1945 a performance of Annie, Get Your Gun did not go ahead because the cast ...