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Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. [1] Works of electronic literature are usually intended to be read on digital devices, such as computers , tablets , and mobile phones .
The New River Anthology, A Journal of Digital Art and Literature has been publishing electronic literature continually since 1996, [8] collected in The NEXT Museum. [ 9 ] The NEXT Museum , Library, and Preservation Space at Washington State University at Vancouver is a project dedicated to preserving and sharing electronic literature.
Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
The digital book format originally used by Sony Corporation. It is a proprietary format, but some reader software for general-purpose computers, particularly under Linux (for example, Calibre's internal viewer [2]), have the capability to read it. The LRX file extension represents a DRM-encrypted e-book. More recently, Sony has converted its ...
Aarseth's concept of cybertext focuses on the organization of the text in order to analyze the influence of the medium as an integral part of the literary dynamic. According to Aarseth, cybertext is not a genre in itself; in order to classify traditions, literary genres and aesthetic value, we should inspect texts at a much more local level. [12]
The Journal of Literary Theory is a double-blind peer-reviewed academic journal published by Walter de Gruyter since 2007. The journal is dedicated to research in literary theory. It takes an interdisciplinary approach and includes a broad variety of theories and methods. Publication languages are English and German.
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
The Text Encoding Initiative (TEI) is a text-centric community of practice in the academic field of digital humanities, operating continuously since the 1980s.The community currently runs a mailing list, meetings and conference series, and maintains the TEI technical standard, a journal, [1] a wiki, a GitHub repository and a toolchain.