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The CIELAB color space, also referred to as L*a*b*, is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. [ a ] It expresses color as three values: L* for perceptual lightness and a* and b* for the four unique colors of human vision: red, green, blue and yellow.
English: The visible gamut plotted within the CIELAB color space. a and b are the horizontal axes. L is the vertical axis. L is the vertical axis. Uses D65 whitepoint.
Hunter Lab (also known as Hunter L,a,b) is a color space defined in 1948 [1] [2] by Richard S. Hunter.It was designed to be computed via simple formulas from the CIEXYZ space, but to be more perceptually uniform.
The CIE 1931 colour space chromaticity diagram with wavelengths in nanometers.The colors depicted depend on the color space of the device on which the image is viewed.. The International Commission on Illumination (usually abbreviated CIE for its French name Commission internationale de l'éclairage) is the international authority on light, illumination, colour, and colour spaces.
This disadvantage is remedied in subsequent color models such as CIELUV and CIELAB, but these - and modern - color models still use the CIE 1931 color spaces as a foundation. The CIE (from the French name "Commission Internationale de l'éclairage" - International Commission on Illumination) developed and maintains many of the standards in use ...
To create a three-dimensional representation of a given color space, we can assign the amount of magenta color to the representation's X axis, the amount of cyan to its Y axis, and the amount of yellow to its Z axis. The resulting 3-D space provides a unique position for every possible color that can be created by combining those three pigments.
The CIE 1964 (U*, V*, W*) color space, also known as CIEUVW, is based on the CIE 1960 UCS: [1] = (), = (), = where (u 0, v 0) is the white point and Y is the luminous tristimulus value of the object.
A color appearance model (CAM) is a mathematical model that seeks to describe the perceptual aspects of human color vision, i.e. viewing conditions under which the appearance of a color does not tally with the corresponding physical measurement of the stimulus source.