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The Island of Marajó, at the mouth of the Amazon River was a major center of ceramic traditions as early as 1000 CE [45] and continues to produce ceramics today, characterized by cream-colored bases painted with linear, geometric designs of red, black, and white slips.
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
St. Denis was the co-founder in 1915 of the American Denishawn School of Dancing and Related Arts. She taught notable performers including Martha Graham and Doris Humphrey. In 1938, she founded the pioneering dance program at Adelphi University. She published several articles on spiritual dance and the mysticism of the body.
The Ghost Dance of 1889–1891, depicting the Oglala at Pine Ridge Indian Reservation in South Dakota, by Frederic Remington in 1890. The Ghost Dance (Caddo: Nanissáanah, [1] also called the Ghost Dance of 1890) is a ceremony incorporated into numerous Native American belief systems.
Thus, they interpreted the sacred pipe as a foreshadowing of Jesus Christ, linked White Buffalo Woman with the Virgin Mary, and associated the sun dance tree with the Cross of the Crucifixion. [407] In 1971 Black Elk Speaks was republished and became a bestseller, making a significant contribution to the reclamation of Lakota religion. [408]
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
The South African Rock Art Digital Archive(SARADA) contains over 250,000 images, tracings, and historical documents of ancient African rock art. In addition to making images of the art accessible to a much wider swath of the public, the project helps protect art from the physical damage that comes from in-person visits. [13]
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