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Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
Akwete cloth is a hand woven textile produced in Igboland for which the town of Akwete, also known as Ndoki, both which the cloth was named after in Abia state, Nigeria is famous. [1] [2] [3] Alternative names include "Aruru" meaning "something woven", "Mkpuru Akwete" and "Akwete fabric".
African waxprints, West Africa Waxprints sold in a shop in West Africa Lady selling colourful waxprint fabrics in Togo "Afrika im Gewand - Textile Kreationen in bunter Vielfalt", African Textiles Exhibition Museum der Völker 2016. African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa.
Stack of Adire Yoruba women wearing adire clothing on movie set. Adire textile is a type of dyed cloth from south west Nigeria traditionally made by Yoruba women, using a variety of resist-dyeing techniques. [1] [2] The word 'Adire' originally derives from the Yoruba words 'adi' which means to tie and 're' meaning to dye. [3]
The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [3] [4] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
The character of Kuba design accords with Robert Thompson's observation that some African music and art forms are enlivened by off-beat phrasing of accents, by breaking the expected continuum of surface, by staggering and suspending the pattern. [11] In textile design, the Africans of the Kasai-Sankuru region do not project a composition as an ...
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