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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three- movement structure [ 1 ] – the outer movements are quick, the middle movement is slow.
In Italian opera after about 1800, the "overture" became known as the sinfonia. [55] Fisher also notes the term Sinfonia avanti l'opera (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as opposed to one serving to begin a later section of the work". [55]
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public.
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history Zampa ...
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The former, much broader usage of the term Literaturoper for opera libretti on the basis of dramas, novels and short stories of undoubted literary renown, which was still common until around 1980, has been made obsolete by recent research on the history of the opera libretto. Since opera libretti have relied on subject matter from the history ...