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Appalachian Spring is an American ballet created by the choreographer Martha Graham and the composer Aaron Copland, later arranged as an orchestral work.Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet music for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi.
Appalachian Spring; ballet (1944) Arrangement of Appalachian Spring for orchestra (1944) Letter from Home for orchestra (1944, revised in 1962) Midday Thoughts for piano (1944/82) Jubilee Variations for orchestra (1945) The Cummington Story; film score (1945) Symphony No. 3 for orchestra (1946) Arrangement of Danzón cubano for orchestra (1946)
Symphony No. 3 was Aaron Copland's final symphony. It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky .
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The orchestra is divided into four groups (five if a keyboard instrument is used) and specified as follows: [1] Woodwind instruments: flutes, oboes, clarinets, saxophones (if one or more are needed), bassoons
By 1932, Copland was sketching, composing, and revising the symphony in parallel with another composition, Statements for Orchestra. [3] While staying at the Yaddo estate during the summer of 1932, Copland wrote to the pianist John Kirkpatrick that the composition of the Short Symphony had been disrupted because he was simultaneously working on ...
The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. (Shakers once worshipped on Holy Mount, in the Massachusetts portion of the Appalachians).
The piece is scored for two pianos and should not take much more than 7 minutes to perform. The score is marked Moderately [quarter note = 88], with the additional parenthetical remark "(nonchalant but precise)"; [8] in fact, the orchestral version is usually performed a bit slower due to specific demands made by Copland in its time, given the difficulty and the expected preciseness of the ...