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Lift Every Voice and Sing, also known as The Harp, was a plaster sculpture by African-American artist Augusta Savage. It was commissioned for the 1939 New York World's Fair, and displayed in the courtyard of the Pavilion of Contemporary Art during the fair at Flushing Meadow. The sculpture was destroyed along with other temporary artworks at ...
Augusta Savage (born Augusta Christine Fells; February 29, 1892 – March 27, 1962) was an American sculptor associated with the Harlem Renaissance. [2] She was also a teacher whose studio was important to the careers of a generation of artists who would become nationally known. She worked for equal rights for African Americans in the arts. [3]
Students at the Harlem Community Art Center (January 1, 1938) Augusta Savage led various art classes in Harlem, and several other art leaders collaborated with the 135th Street Branch of the New York Public Library in establishing community workshops. [2] The Harlem YMCA also held art classes between 1934 and 1935 led by sculptor William Artis. [3]
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The following 10 pages use this file: African-American art; Augusta Savage; User:Lumiwa408/sandbox; User:Visualdatablt/artists; Wikipedia:Featured picture candidates/Augusta Savage/2
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Augusta Savage, born in Florida in 1892, was a culture, advocate, and teacher during the Harlem Renaissance who put black everyday people at the forefront of her works. In 1932, Savage founded the Savage Studio of Arts and Crafts, providing free art classes in painting, printmaking, and sculpting.
The Art Department's focus was on modern American painting, works painted in the 17 years since the 1876 Centennial Exposition. [1] Hundreds of American painters submitted works, and more than 1,000 paintings in oil and more than 200 in watercolor were selected for exhibition in the Palace of Fine Arts.