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"Vanguard Action Squad -All-out Attack-" 2:01: 5. "Combat License!" 2:25: 6. "All Might with U.A. Students" 2:29: 7. "All For One" 2:12: 8. "The Power of All For One" 1:58: 9. "One For All vs. All For One" 3:07: 10. "Feeling of Parting" 2:22: 11. "Light of Hope" 2:24: 12. "Heights Alliance" 1:40: 13. "U.A. High School Support Department" 2:19: ...
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At the RA3 Community Summit in June 2008, Klepacki showed a video to the entire C&C community in which he stated that he had been hired to work on Red Alert 3, and that he was composing Hell March 3, the most recent update of Red Alert ' s iconic theme.
Django Unchained is the soundtrack to Quentin Tarantino's motion picture Django Unchained.It was originally released on December 18, 2012. The soundtrack uses a variety of music genres, though with an especially heavy influence from Spaghetti Western soundtracks.
The original release of the soundtrack only contained one disc. This is also the same track listing for Walt Disney Records' 2018 reissue. As Williams had done on his earlier releases for Star Wars soundtracks, the score is arranged with a greater emphasis on musical flow for a quality album listening experience rather than in order of the movie's chronology.
ID" was also included on the FIFA 16 soundtrack. It was the official anthem of the 2015 Ultra Music Festival. Kygo was asked to create the official anthem of the 2015 Ultra Music Festival. A song was used in their trailer for the Miami festival, which took place in March. The track is simply titled "ID" because it doesn't officially have a name ...
All Sounds of SaGa is a compilation album of the soundtracks for The Final Fantasy Legend, Final Fantasy Legend II, and Final Fantasy Legend III.The first album of the two-disc set is split between 15 tracks from SaGa 1 and 19 tracks from SaGa 2, while the second disc holds 20 SaGa 3 tracks and an arranged medley of SaGa 1 tracks by Uematsu.
"With All My Might" was an attempt by Sparks to write a song which was radio-friendly and would appeal to a mass audience. In a 1990 interview with Ira Robbins , Russell Mael said of the song, "We thought this could have been really successful commercially, but for whatever reasons it didn't get played a lot.