Search results
Results from the WOW.Com Content Network
Magic Mirror is a lithograph print by the Dutch artist M. C. Escher first printed in January, 1946. It depicts a mirror standing vertically on wooden supports on a tiled surface. The perspective is looking down at an angle at the right hand side of the mirror. There is a sphere at each side of the mirror.
Escher is not the first artist to explore mathematical themes: J. L. Locher, director of the Gemeentemuseum in The Hague, points out that Parmigianino (1503–1540) had explored spherical geometry and reflection in his 1524 Self-portrait in a Convex Mirror, depicting his own image in a curved mirror, while William Hogarth's 1754 Satire on False ...
Download as PDF; Printable version; In other projects ... Magic mirror or The Magic Mirror may refer to ... (M. C. Escher), a 1946 lithograph by M. C. Escher Escher ...
The background is dark, but in the bottle can be seen the reflection of Escher's studio and Escher himself sketching the scene. Self-portraits in reflective spherical surfaces can be found in Escher's early ink drawings and in his prints as late as the 1950s. The metal bird/human sculpture is real and was given to Escher by his father-in-law.
Hand with Reflecting Sphere, also known as Self-Portrait in Spherical Mirror, is a lithograph by Dutch artist M. C. Escher, first printed in January 1935. The piece depicts a hand holding a reflective sphere. In the reflection, most of the room around Escher can be seen, and the hand holding the sphere is revealed to be Escher's. [citation needed]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Still Life with Mirror is a lithograph by the Dutch artist M. C. Escher which was created in 1934. [1] The reflection of the mirror mingles together two completely unrelated spaces and introduces the outside world of the small town narrow street in Abruzzi , Villalago , into internal world of the bedroom. [ 2 ]
Escher's interest in reversible perspectives, as seen in Cube with Magic Ribbons, can also be noted in an earlier work, Convex and Concave, first printed in 1955. [ 2 ] Although the cube framework in Cube with Magic Ribbons by itself is perfectly possible, the interlocking of the "magical" bands within it is impossible.