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Duende or tener duende ("to have duende") is a Spanish term for a heightened state of emotion, expression and authenticity, often connected with flamenco. [1] Originating from folkloric Andalusian vocal music (canto jondo) [2] and first theorized and enhanced by Andalusian poet Federico García Lorca, [1] the term derives from "dueño de casa" (master of the house), which similarly inspired ...
Sargent's painting Capri (1878) depicts Rosina Ferrara dancing the tarantella, and anticipates the flamenco of El Jaleo. [6] Crystal Bridges Museum of American Art. Almost 12 feet (3.7 m) wide, El Jaleo is broadly painted in a nearly monochromatic palette, but for spots of red at the right and an orange at left, which is reminiscent of the lemons Édouard Manet inserted into several of his ...
In the mid-1960s, he moved to Paris, where he met a Swedish dancer who introduced him to the flamenco. In 1967, he became one of the great portrait photographers. He photographed personalities such as Paco de Lucía, Israel Galván, and Rocío Molina Cruz in black-and-white. [2] [3]
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
Benítez described introducing flamenco and building up audiences in New Mexico as a glacier-slow process. She and her husband worked from 1968 to 1970 at El Nido, a restaurant and bar in Tesuque ...
Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's Parade (1917, choreography: Léonide Massine), Le Tricorne (The Three-Cornered Hat) (1919, choreography: Massine), Pulcinella (1920, choreographer: Massine), and Cuadro Flamenco (1921, choreography: Spanish folk dancers
The extent to which the discipline is practiced varies on the growth of general knowledge of the Flamenco arts. Since the beginning, it has been the purpose of Flamencologists to diffuse the art both locally and abroad, and with the diffusion of the art later come the methods of documenting and researching the art thus putting Flamencology into practice.
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