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Luo orutu Luo orutu, or simply "orutu", [1] is the one-stringed fiddle [1] of East Africa. [2]It is typically accompanied by Nyatiti lyre, Bul drums, the Nyangile sound box, Ongeng'o metal rings, Asili flute, and the Oporo horn.
The orutu is a one-stringed vertical fiddle originated in the pre-colonial societies of Western Kenya, especially amongst the Luo community. [1] In Luhya it's known as Ishiriri. The Luo had a strong tradition of stringed instruments and was famous for their skills with harps and lyres . [ 1 ]
Joseph Aquiler Thompson (December 9, 1918 – February 20, 2012) was an American old-time fiddle player, and one of the last musicians to carry on the black string band tradition. Accompanied by his cousin Odell, Thompson was recognized with several honors for performances of the old-time style, particularly when the genre was repopularized in ...
Frank Johnson (c. 1789 – 1871) [1] was an American popular fiddle player and brass band leader based in North Carolina, near Wilmington, United States, for most of the nineteenth century. [2] Although largely forgotten by history books and often confused with composer Francis "Frank" Johnson , he helped define the sound of African-American ...
The goje (the Hausa name for the instrument) is one of the many names for a variety of one or one-stringed fiddles from West Africa, played by groups such as the Yoruba in Sakara music and west African groups that inhabit the Sahel. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge.
A fiddle is a bowed string musical instrument, most often a violin. [1] It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and ...
Jim Booker (1872–1940) was an African-American hoedown fiddler from Jessamine County, Kentucky. His 1927 recordings with Taylor's Kentucky Boys and The Booker Orchestra are thought to be the first racially integrated recording session in America.
In the 17th century, before the blues existed as a genre, the violin featured prominently in African-American string bands. [2]As a result of the social climate in the early 20th century, especially in the rural Southern United States, black fiddlers and black music in general were under-represented in the music industry.