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In addition to the preparation poetry seen by Edward Taylor, the Puritan woman Anne Bradstreet wrote dense poetry of her own. She spoke in a deeply personal manner distant from the general understanding of the role of Puritan women. She used poetry as a mode of demonstrating her love for family, husband, and God.
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
The religious views of John Milton influenced many of his works focusing on the nature of religion and of the divine. He differed in important ways from the Calvinism with which he is associated, particularly concerning the doctrines of grace and predestination.
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant.His 1667 epic poem Paradise Lost, written in blank verse and including twelve books, was written in a time of immense religious flux and political upheaval.
A debate continues on the definition of "Puritanism". [154] English historian Patrick Collinson argues that "There is little point in constructing elaborate statements defining what, in ontological terms, puritanism was and what it was not, when it was not a thing definable in itself but only one half of a stressful relationship."
Lay patrons of Puritanism were prominent in the middle years of the reign of Elizabeth I. [18] Godly gentlemen, the so-called Puritan gentry, then became a significant factor in English life and politics.
Broadly speaking, a conversion narrative is a narrative that relates the operation of conversion, usually religious. As a specific aspect of American literary and religious history, the conversion narrative was an important facet of Puritan sacred and secular society in New England during a period stretching roughly from 1630 to the end of the First Great Awakening.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]