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That increased corporate organization of society, Schultz notes, reduced white-collar workers' (represented by Tom Rath and the other gray-suited "yes men") control over what they did and how they did it as they adapted to the "organized system" described and critiqued by contemporary social critics such as Paul Goodman, C. Wright Mills, and ...
The Man in the Gray Flannel Suit is a 1955 novel by Sloan Wilson about the American search for purpose in a world dominated by business. The main characters, Tom and Betsy Rath, are a young middle-class couple that share a struggle to find contentment in their hectic and material culture, while several other characters fight essentially the same battle, but for different reasons.
Dark charcoal gray was the usual color, and the era of the gray flannel suit was born. By the later 1950s, a new Continental style of suit appeared from the fashion houses of Italy, with sharper shoulders, lighter fabrics, shorter, fitted jackets and narrower lapels. [46] [49]
The New York Times Style Magazine explains one iconic suit of the era, the gray flannel suit: Back in 1955, when denim was the height of rebelliousness, Sloan Wilson's novel The Man in the Gray Flannel Suit turned a men's classic into a synonym for drab, middle-class conformity . . . Flannel had humble beginnings — the name is reputedly ...
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The Horse in the Gray Flannel Suit is a 1968 American comedy film directed by Norman Tokar, with a screenplay by Louis Pelletier, and starring Dean Jones, Diane Baker, Ellen Janov, Kurt Russell, Lurene Tuttle and Fred Clark in his final film role. It is based on the 1965 book The Year of the Horse by Eric Hatch.
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