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This 17.5-inch duck decoy by Shang Wheeler is considered a rare gem among collectors, with one selling for nearly $40k at an auction in 2023. Featuring fine “feather paint detail” on the head ...
General Fibre began manufacturing decoy ducks under the Ariduk brand in 1946. [1] The company mass produced mallards, pin tails, blue bills, black ducks, canvasbacks, oversized mallards, and oversized black ducks. General Fibre also produced two species of Canada goose decoys and two types of crow shooter's kits.
Black duck by Cigar Daisey. Delbert Lee "Cigar" Daisey (March 6, 1928 [1] – April 19, 2017), [2] known as "Cigar" Daisey, was an American waterfowl wood carver and decoy maker. He was the son of Herbert Lee Daisey and Emma Jane Daisey. [3]
This heavily illustrated book aimed to be a comprehensive guide to the carved wooden duck decoy. Used by early American waterfowl hunters, this type of decoy was promoted by the author as a form of folk art. The book is considered by art historians to be the first on the subject, and was a bible to decoy collectors throughout the 20th century.
A duck decoy (or decoy duck) is a man-made object resembling a duck. Duck decoys are typically used in waterfowl hunting to attract real ducks, but they are also used as collectible art pieces. [1] Duck decoys were historically carved from wood, often Atlantic white cedar wood on the east coast of the United States, [2] or cork.
Their decoys are highly prized by collectors. Few examples of their work survive on the open market, as private collectors and museums now own most of their original works. In November 2006, a Ward Brothers goldeneye drake decoy sold for US$109,250 at an Easton, Maryland waterfowl festival auction. [ 1 ]
For this reason, decoys of his from this period are slightly less desirable than those made earlier. The decoy, as a form, implies both sculpture and function, and Crowell approached their creation as an artist. As George Hepplewhite wrote in the 18th century, the interpretation and execution of the decoys, "blend the useful with the agreeable."
Joel David Barber (1876–1952) was an early 20th-century architect from New York City who is best known as an early collector and promoter of duck decoys as folk art.. Barber began collecting the carved wooden decoys in 1918 after finding one, a red-breasted merganser hen, by accident near his Long Island boathouse. [1]
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