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Miming in instrumental performance or finger-synching is the act of musicians pretending to play their instruments in a live show, audiovisual recording or broadcast. Miming in instrument playing is the musical instrument equivalent of lip-syncing in singing performances, the action of pretending to sing while a prerecorded track of the singing is sounding over a PA system or on a TV broadcast ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Orchestral percussion section with timpani, unpitched auxiliary percussion and pitched tubular bells Djembé and balafon played by Susu people of Guinea Concussion idiophones (), and struck drums Modern Japanese taiko percussion ensemble Very large drum kit played by Terry Bozzio Mridangam, an Indian percussion instrument, played by T. S. Nandakumar Evelyn Glennie is a percussion soloist
Example from Free Music Archive, Steve Combs & Delta Is - "Theme Q", bass, drum, guitar, keyboard, 4 min 53 s. In commercial popular music, instrumental tracks are sometimes renderings, remixes of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. One example of a genre in which ...
In improvising for silent film, performers have to play music that matches the mood, style and pacing of the films they accompany. In some cases, musicians had to accompany films at first sight, without preparation. Improvisers needed to know a wide range of musical styles and have the stamina to play for sequences of films which occasionally ...
Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in [the style of] the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
The name given to the renewed interest in swing music from the 1930s and 40s. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music. 1990s -> Jazz noir [4] A form of slow or erratic contemporary jazz.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...