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2. Music of Tibet - Wikipedia

   en.wikipedia.org/wiki/Music_of_Tibet

   Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.

3. Category:Tibetan music - Wikipedia

   en.wikipedia.org/wiki/Category:Tibetan_music

   Download QR code; Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; Appearance. ... Pages in category "Tibetan music"

4. Aku Pema - Wikipedia

   en.wikipedia.org/wiki/Aku_Pema

   Aku Pema (Tibetan: ཨ་ཁུ་པདྨ་, Wylie: a khu pad ma; Amdo Tibetan [akʰɯ panma]) is a Tibetan song, written by the Tibetan singer Palgon (Wylie: dpal mgon, Amdo Tibetan [χʷalɡon]). It is considered [by whom?] to be calling for the Dalai Lama to return, but this is indirect. At no point during the song do the lyrics mention ...

5. National anthem of Tibet - Wikipedia

   en.wikipedia.org/wiki/National_Anthem_of_Tibet

   Written by Trijang Rinpoche around 1950, a tutor of the 14th Dalai Lama, the lyrics focus on the radiance of the Gautama Buddha. [2]The melody is said to be based on a very old piece of Tibetan sacred music, and some of its elements are also found in other Tibetan songs such as that of Mimang Langlu, a song of the 1959 Tibetan uprising.

6. Alan Dawa Dolma - Wikipedia

   en.wikipedia.org/wiki/Alan_Dawa_Dolma

   Alan Dawa Dolma [a] (born 25 July 1987), known mononymously as alan, is a Tibetan singer from China. She is a graduate of the People's Liberation Army (PLA) Academy of Art in Beijing, majoring in vocal music and erhu, which she has played since childhood. [1] Alan is known for a distinctive technique called the "Tibetan wail".

7. Music of Tibet (album) - Wikipedia

   en.wikipedia.org/wiki/Music_of_Tibet_(album)

   Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.