Search results
Results from the WOW.Com Content Network
Totem pole in Vancouver, British Columbia Totem poles at the Museum of Anthropology at the University of British Columbia. The meanings of the designs on totem poles are as varied as the cultures that make them. Some poles celebrate cultural beliefs that may recount familiar legends, clan lineages, or notable events, while others are mostly ...
The sequence of characters and symbols sculpted into a totem pole is indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. [23] The interpretation of the symbols is retold in a semi-legendary form when the pole is first dedicated to a certain house after completion.
Some say it developed from the totem poles of ancient tribes. [1] The Huainanzi describes the feibangmu (simplified Chinese: 诽谤木; traditional Chinese: 誹謗木; pinyin: Fěibàng mù), or bangmu for short, literally "commentary board", as a wooden board set up on main roads to allow the people to write criticism of government policies.
A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system.
The Shaking Pole was fifth in a series of poles that stood on the beach along the Nass river, just past Ank'idaa. The name Shaking Pole originated from the idea that grizzly bears would shake the pole as they climbed it. This pole was created by two carvers: Oyee and Yarogwanows. [11] The height of the pole is 45 feet (14 m) and was raised in ...
The original totem pole had been repainted with successive coats of non-Tlingit colors in an attempt to preserve the pole. [39] The replica, however, used the native Tlingit colors of black, red and blue-green. [39] Totem poles are read from top to bottom, with the topmost figure identifying the owner. [40]
The totem pole model continues to be sought after at this time, a trend that continues to the present. 1900–1910: Steady production of the creation of figures and poles. 1910–1960: Most items manufactured are small (6 inches or less). Only a few artists are carving large pieces at this time. Poles are manufactured and sold to stores and ...
The Tlingit carve crests on totem poles made of cedar trees. The totem poles carved normally tell a story, and Tlingit artists carve subjects like animals into the totem poles. These pictures are aligned in a column down the pole, in order from top to bottom. The poles are put on outside corners of "traditional dwellings", used to structurally ...