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Frilly dresses with embellished puffy sleeves inspired by those worn by child fashion icons such as American filmstar Shirley Temple and British princesses Elizabeth and Margaret were popular with girls in the 1930s. Hemlines were shorter for younger girls and reached below the knee as they grew older.
The 1930s started in depression and ended with the onset of World War II.With rising unemployment and despair, no industry was left unaffected. In the fashion industry, designers cut their prices and produced new lines of ready-to-wear clothes, along with clothing made of more economical and washable fabrics, such as rayon and nylon. [5]
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One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer, it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This ...
Marie-Louise Bruyère (6 October 1883 – ), mostly known as Madame Bruyère, [1] was a French fashion designer of the 1930s, 1940s and 1950s, operating out of Paris and importing her fashion lines abroad.
10 "Talk:1930–1945 in Western fashion/Archive 2" listed at Redirects for discussion
1920s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; Photographs from the 1920s taken by photographer, Henry Walker at the University of Houston Digital Library Archived 2010-06-25 at the Wayback Machine "1920s - 20th Century Fashion Drawing and Illustration". Fashion, Jewellery & Accessories.
Madeleine Vionnet (pronounced [ma.də.lɛn vjɔ.ne]; June 22, 1876, Loiret, France – March 2, 1975) was a French fashion designer best known for being the “pioneer of the bias cut dress”, [1] [2] Vionnet trained in London before returning to France to establish her first fashion house in Paris in 1912.
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